In the film, Daadi, stirring her special sheer korma pot. Now, every desi Eid needs to have Sheer Korma, like what is Eid without it. Loads of dishes being made the room is literally buzzing. It’s busy, just as you would expect it to be. The scene then cuts to the heart of the home the kitchen. I know they were trying to exaggerate the ‘festive feel’, but I feel it fit in so beautifully. Fairy lights everywhere! Not many people decorate their homes for Eid, but it was such a nice touch on the part of the film. When we’re first shown the house, it’s fully decked out. (Also, if you couldn’t tell, I’m sort of obsessed with Eid, so please bear with me). There’s a lot of beauty in Eid and in all the traditions we see at that time of year but in the rut of things (aka mehmaan and dawats) we forget to appreciate the beauty of the festival. They make it look so glamorous and oh so festive. We’ve all seen Eid! We know how it goes, however, the way the film shows it is just something else. The entire depiction of the scene is just gorgeous. Right in the beginning of the film (and somewhere down the first episode of the drama rendition), we are shown its chand raat. The film promised a lot, but one scene, in particular, stuck with me. PS for those of you who know what I’m referring to Yay, I’m very impressed! So, a few Eids ago,’ Bin Roye’ was released across cinemas in Pakistan and the world. So, you must be thinking, what’s the connection between Eid and ‘ Bin Roye’. Well, I’m about to tell you.
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